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Combat Artist Tells Corps' Story Through Artwork 
	(May 10, 2010)  |  
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		 	  |  BOSTON (MCN - 5/6/2010) — The phrase, “A picture is worth a thousand words,” may 
mean more to some than it does to others. To combat artists, art is history in 
the making. A combat artist has the ability to create art from the moment it 
takes place. 
 
Sgt. Kristopher Battles, a combat artist with the National Museum of the Marine 
Corps, is currently serving as the Corps' combat artist. He visited the John F. 
Kennedy School of Government for Harvard University in Cambridge, Mass., 
Wednesday where he showcased his artwork to tell Marine Corps history during 
Marine Week.  |  
	
		
			
				
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				| Sgt. Kristopher J. Battles, the combat artist with the National Museum of the Marine Corps, stands in front of his paintings, May 5, 2010, at the John F. Kennedy School of Government for Harvard University. Battles showed several paintings, sketches and portraits for residents and tourists to see the artwork of a combat artist, in Cambridge, Mass., to help tell the Marine Corps story during Marine Week. Photo by Cpl. Alicia R. Giron | 
			 
		 
	 
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	Battles joined the Corps in 1986 and served as a computer operator, combat 
	correspondent and chaplain's assistant. After serving four years in the 
	Corps, Battles graduated Northeast Missouri State University with a 
	Bachelors of Fine Arts in 1991, and said he has pursued his love of art ever 
	since. 
	 
	“It's very rewarding to paint a piece of history,” said Battles. “The public 
	needs to know what the Marines are doing. Our job is to document and provide 
	a personal and emotional medium for the American public to understand what 
	Marines do.”  
	 
	Battles found his profession in combat artistry after submitting his 
	portfolio to an active chief warrant officer combat artist. The warrant 
	officer was impressed with Battles' work and then referred him to the 
	National Museum of the Marine Corps, where Battles was interviewed by the 
	director and a curator of the museum.
	 
	In order for Battles to become a combat artist for the museum, he had to 
	reenlist in the Marine Corps as active duty. At 38, Battles then called 
	himself a combat artist. Shortly after reenlisting, Battles experience 
	deployed to Iraq for the first time.  
	 
	“The Marine Corps' purpose on sending combat artists overseas is to show the 
	families what their Marines are experiencing,” said Battles. “It's rewarding 
	when a Marine sees a piece of art and says ‘Hey, I was there, I was on that 
	patrol.'” 
	
	  
	
	 
	The deployment to Iraq gave Battles a sharper eye for what should be 
	portrayed in a combat zone. He said he was able to see what the families 
	couldn't, and he showed them what life was like in a hostile environment 
	through his artwork. 
	 
	“It's almost incalculable what he is able to do,” said Joan Thomas, an art 
	curator for the museum. “Artwork paints a broader perspective then what 
	pictures do.”  
	 
	Thomas explained that through a camera lens a person is limited to what he 
	sees, while a portrait can grasp the full perspective.  
	 
	“It's a unique experience to grasp the art and input into the Marine Corps,” 
	said Battles. “The portraits really provide a slice of life for the people 
	back home about what it's like to be in a combat zone.”  |  | 
 By USMC Cpl. Samuel A. Nasso and Cpl. Alicia R. 
Giron 
Headquarters Marine Corps 
Copyright 2010
Reprinted from 
Marine Corps News 
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